VERONIKA ZAJAČIKOVÁ / born 1981 Prague
Faculty of Fine Arts, Atelier Performance prof. Tomáš Ruller, VUT Brno, (doctor’s degree) – now
J.E.Purkyně University, Faculty of Art and Design, Curatorial Studies, Ústí nad Labem (2010 – 2013)
Palacký University, Philosophical Faculty, Theory and History of Visual Arts, Olomouc (2005 – 2010)
Tjeckiska Centret Stockholm, Stockholm, Sweden, Erasmus+ Traineeship (2020)
International Studio & Curatorial Program (ISCP) Brooklyn, 3 month residency, New York (2011)
2016 © COPY IT RIGHT! / Exhibition / Project dedicated to father of Video Art Woody Vasulka; Artists: Michael Bielický, Tomáš Mašín, Stanislav Miler a Václav Kučera, Radek Pilař, Tomáš Ruller, Lucie Svobodová, Pavel Smetana, Elen Řádová, Jaroslav Vančát a AVaIT (Roman Milerský, Petr Skala, Ivan Tatíček), Woody Vasulka, Steina Vasulka, Janka Vidová Žáčková, Petr Vrána, Peter Weibel; NoD Gallery, Experimental Space NoD, Prague
2015 SYMPOSIUM VIDEOART No.2 & Special / international thematic conference (M.Bielický, P.Weibel, The Vasulkas,T.Ruller, P.Vrána, L.Dolanová …), Experimental Space NoD, Prague
2015 SYMPOSIUM VIDEOART No.1 / public thematic conference with Czech video-art experts (Čiháková Noshiro, Dolanová, Ruller, AVIT, Vrána), Experimental Space NoD, Prague
Panoramic 360° Projections/
2017 OBJECTS ON HORIZON – Hic Sunt Dragones by Pavel Karafiát (realtime 360°)
2016 CMYK by David Možný (Sound by Aleff)
2016 BETWEEN THE WORLD AND ME by Jan Šrámek & Dizzcock
2014 OCEAN by František Pecháček
© COPY IT RIGHT! / 17.9. – 13.10.2015
Exhibition dedicated to the father of Czech video art Woody Vašulka, with an independent selection of videos from private archives of internationally renowned personalities Prof. Michael Bielický, Peter Weibel and leading figures from the Czech audio visual scene.
1994: year of the internet. The internet is considered as a landmark of art discipline such as video art. 1994 (1995) is defined also technologically up to date for use the video signal and magnetic tape. They were replaced by new digital technologies such as DVD format. The term video art originates from the late sixties and marked the formation that appeared at the same time in Europe and the United States. The very title of video art assumes marking the original analog recording medium – video tape.
In the second half of the 60s of the 20th century in Europe and the United States discovered a complex artistic creation called video art, experimental video art television, the new television, or even ,, Guerilla TV “ genre lure of diverse special ,, art movements “ moving art, as well as political and social activism. During this period, full of dynamic social, economic and cultural changes, many of the new artistic approaches formally and politically radical. Artists who in this period have chosen to work with video, were influenced by the Fluxus movement, their thoughts performative art, body art, in Arte Povera, minimalist sculpture, conceptual art, avant-garde music, upon experimentally film, contemporary dance and theater, and other cultural interdisciplinary activities and theoretical discussions.
SYMPOSIUM VIDEOART no.2 & Special / 1. – 2.10.2015